Royal Opera House Bridge Annual Conference 2017
Chatham Historic Dockyard, 29.06.2017
I’m lucky enough in this role to attend training pretty often and I often see inspirational people discuss the importance of the work of the heritage sector and hear incredible case studies. I won’t write about all of them, but I did want to share what I learnt at Rising tide: Navigating the Future of Cultural Learning, the annual conference of Royal Opera House Bridge. This conference interrogated the role of cultural education, from dance to museums and opera to archives.
We’re all busy people, so I’ll try and keep this blog short and I haven’t included all the sessions. If you’d like to chat about anything below, just get in touch. The Royal Opera House Bridge will be publishing resources from the day, so check out their website for more details.
Why Tomorrow’s Children Need a 21st Century Enlightenment (Matthew Taylor, Chief Executive, Royal Society for the encouragement of Arts, Manufactures and Commerce)
Matthew kicked off the conference by taking us back to the 1700s and the Age of Enlightenment. He described the three key ideas that shaped the Enlightenment:
- Autonomy – we are the authors of our own future and not in a chain of control that was preordained and we must simply accept our fate in life.
- Universalism – all humans deserve dignity.
- Humanism – purpose of all human endeavour is to liberate and enrich human life.
These ideas have become narrowed over time. Autonomy doesn’t just mean a free market, universalism isn’t just a metric of social justice and humanism isn’t controlled through the economy. We must revisit these values to bring them up to date:
- True autonomy requires self-awareness and self-discipline… not through shopping.
- Universalism is about empathy and engaging with those whose beliefs and ideas are different to ours.
- We need to identify what a good life is to understand humanism. What are we working towards?
Engagement in the creation and enjoyment of culture helps us understand these ideas.
So what is the role of cultural education? Cultural education makes three assertions:
- Citizens have a right to access their own, their countries’ and the world’s culture.
- Cultural education supports young people to develop positive ways of shaping society (and we need a robust way of measuring this impact that will appeal to budget holders).
- Cultural education has a role in preparing us for our future.
We are starting to move into a late material culture, with more people stating that self-expression is more important than what they own. People are coming of age in a sluggish economy and don’t expect to own more and better things than their parents. It should be our ambition to ensure that everyone has ‘good’ work with scope for development and a sense of purpose. If we shift into this new kind of economy, cultural education will be more important than ever.
To Lift All Ships (Sir Kevan Collins, Chief Executive, Education Endowment Foundation)
Sir Kevan challenged the conference with a series of provocations, but made the assertion that when people want to challenge the world, they turn to culture.
- Are we creating a boring and irrelevant education for children?
- Should we be concerned that creative subjects are becoming sidelined into extra-curricular activities for the middle-classes? For many people the educational system seems broken and there isn’t time to focus on anything but ‘core subjects’. Is this true, or is this argument to trick us into giving schools to other people to run?
- Is the word ‘culture’ being appropriated by people who see education as either skills for knowledge. Through setting culture as ‘knowledge’ are they able to decide what counts as culture?
- How can a child spend 13 years in education and fail? Huge numbers of children are failing to get a level 2 (e.g. GCSE) qualification.
- As the education offered to children narrows, how do we demonstrate the contribution that culture makes?
Most job growth in Britain and the world doesn’t require just one subject but needs people with broader life skills, for example relationship development, empathy and creative problem solving. A strong cultural education builds these kind of skills and supports the core subjects.
We must implement a scientific approach to measure the impact of cultural education, disseminate what we’ve learnt from projects and mobilise good projects nationally.
Empathy Lab (Miranda McKearney, social entrepreneur and co-founder of Empathy Lab and Sarah Mears, Library Manager for Essex and co-founder of Empathy Lab)
Miranda and Sarah argued that in an increasingly diverse world children must be able to thrive in diverse environments. Empathy and social skills are being squeezed out of education and these are vital to children’s attainment at school and preparation for their futures.
Research has shown that children must see and experience empathy to develop these skills. Socio-emotional skills cannot be a bolt-on but can be embedded in a child’s wider education. The Empathy Lab is trialling developing empathy skills through reading, which is at the core of educational programming in schools.
Empathy can be divided into psychological and physiological:
- Psychological Empathy:
- Cognitive – understanding that someone is upset
- Affective – feeling upset when someone is sad
- Empathetic concern – wanting to help someone in need
- Physiological Empathy:
- Endocrine system
If you’re interested in reading more about the scientific side of Empathy, check out the Empathy Lab’s website for resources.
Academics are starting to understand the relationship between reading and developing empathy. Just as the brain responds to words for smells, touches, etc as if you were smelling and touching something, your brain responds to stories as if was the real world. This means that the way we feel empathy for characters in stories, wires our brain to feel the same sensitivity for real people. This means that children can learn empathy from reading.
The Empathy Lab is trialling different approaches in schools, asking children to read books, look at how the characters felt and naming those feelings and then asking them to build this into actions. For example a group of children read a story about refugees, explored how it would feel to be a child refugee and then wrote letters to child refugees and politician. The children involved moved forward with literacy, family involvement and classroom relationships.
The Empathy Lab are looking to extend this work to museums, so watch this space.