Snapping the Stiletto Update

Snapping the Stiletto

Logo designed by Essex artist, Lisa Temple-Cox

Pippa Smith is project manager for “Snapping the Stiletto”, an Essex-wide project looking at how women’s lives have changed since gaining the vote in 1918. 

Snapping the Stiletto is a project funded by the Esmée Fairbairn Collections fund which aims to uncover and celebrate stories of strong Essex women over the past 100 years. Working in partnership with 11 museums across (historic) Essex and a range of community groups to steer the project we will be looking for hidden stories of women in museum collections and creating exhibitions and events to share these stories across the county.

CHMPM 536 Pat Foster, 1st female motorcyclist for EP

Pat Foster, first female motorcyclist for Essex Police (copyright Essex Police Museum)

The museums will be recruiting volunteers to help them to research and tell these stories and I’m busy talking to a range of community groups to discover what sort of topics would interest them. So far I’ve had meetings with representatives from the WI and the Clacton Hindu Temple and spent a very enjoyable couple of hours with the Razed Roof Theatre Company in Harlow . I’ve contacted the Guides, sisters from a local mosque and representatives from a wide range of groups representing the diverse communities across Essex.

History students at Essex University studying a ‘Votes for Women’ module  have been looking at the representation of women in museums and public spaces and tackling some interesting questions set by the project which we hope to blog about soon.

So far two main themes are emerging- groups are interested in the history of women at work, in particular in industry and women as campaigners beyond the suffragettes.

Does Your Museum Need A Firearms License?

 

The Home Office is currently consulting with the public about the cost of firearms licenses.

“It is proposed the fee for a museum firearms licence will be £1,440, and the licence will be valid for five years. The current fee for a museum licence is £200. The renewal fee is to be revised to £1,240, with fees for alterations to valid licences to be changed to between £110 and £780.”
Obviously this would be a huge increase (over 600%) and could hit museums very hard, but does your museum need a license?

 

Given the large number of military-themed museums in Essex and the social history collections which may contain guns, I have taken advice on this matter from William Brown, National Security Advisor at the Arts Council.

 

You need a firearms license if your collection contains live firearms, although there is an exception for historic firearms. However, no definition is in place as to what constitutes a “historic firearm”. The decision is made at the discretion of your local police.

 

If the guns in your collection have been deactivated, you do not need a firearms license.

 

Your museum is eligible for a firearms license if:

  • It has as its purpose, or one of its purposes, “the preservation for the public benefit of a collection of historic, artistic or scientific interest which includes or is to include firearms”
  • It is maintained wholly or mainly out of money provided by Parliament or a local authority
  • It is Accredited by the Arts Council (nb. This means fully Accredited and not “Working Towards” Accreditation)

 

If you wish to contribute to the consultation regarding the increase in costs for museum firearms licenses (by over 600%), you can do so here.

 

The Home Office Guidance on Firearms Licensing Law can be found here.

 

The Firearms Security Handbook, which includes guidance on museum storage and display of weapons and ammunition, can be found here.

Please do get in touch with me if you have any questions.

Snapping The Stiletto: Re-Examining Essex Collections

 

Image courtesy of Essex Police Museum

Image courtesy of Essex Police Museum

The Essex County Council Museum Development has secured a grant of £95, 445 from the Esmée Fairbairn Collections Fund for a two year project working with museums across the county.

 

2018 is the Centenary of the of the Representation of the People Act 1918 which gave the first British women the vote, the 90th anniversary of the Equal Franchise Act 1928 which gave all women the vote and the 50th anniversary of the Dagenham Ford Worker’s Strike. These important national and local anniversaries are serving as a catalyst to explore, record and celebrate the diverse and inspirational stories of Essex women.

For the purposes of this project, we are working with partners from across “historic Essex” including those areas which are now unitary authorities or part of London, thus enabling us to tell interpret both existing collections and the stories discovered through our research as part of the wider story.

We will research and record how Essex women’s lives have changed during the last century and celebrate the stories of individual and groups of women in the county, for example Suffrage campaigners and Dagenham strikers but also women whose stories aren’t yet well known. This may include but not be limited to women who were involved in World War II, gained qualifications at a time when most women were unable to access further education, who entered male dominated professions including the services, those who moved to Essex from around the world and made a home for themselves by overcoming language and cultural differences and those who have raised families during a time of changing expectations for their gender. By highlighting women’s contributions, we will add another layer of understanding to elements of history that the public are possibly more familiar with, for example WWII, and change their perceptions of what took place. Also, through telling the stories of inspiring Essex women, we hope to weaken the negative “Essex Girl” stereotype.

 

Image courtesy of Southend Museums

Image courtesy of Southend Museums

 

 

The project is part of an overarching strand of work called “Snapping the Stiletto: 100 Years of Change”. We will be shortly be submitting further funding applications for oral history and other work, so there are still plenty of opportunities for heritage organisations and other groups to get involved. We will also be recruiting a large number of volunteers during 2017.

 

For more information, to sign up for project updates or to learn how you can get involved in the project, email amy.cotterill@essex.gov.uk

 

 

 

Our museum partners for “Revisiting Essex Collections” are:

  • Braintree Museums
  • Brightlingsea Museum
  • Chelmsford Museum
  • Colchester and Ipswich Museums
  • The Combined Military Services Museum
  • Epping Forest District Museum
  • Essex Fire Museum
  • Essex Police Museum
  • The Museum of Power
  • Redbridge Museum, Ilford
  • Southend Museums Service

Lead Roof Thefts

Stephen Armson-Smith, Crime Prevention Tactical Advisor with Essex Police, advises on how to improve the security of your historic lead roof:

Around the county we are seeing a number of thefts of lead from roofs again from churches, historic buildings and also some more modern buildings too. All too often the theft of lead from a roof is only discovered after a downpour of rain and then the value of the theft is often exceeded by the value of the water ingress damage, sometimes with heritage properties irreversible. For this reason it is important to know your building, where those attractive metals have been used and check regularly that these are intact.

I have listed below a few crime prevention tips in relation to metal theft, but not all will apply to your property as each location may have site specific issues:

  1. Make it difficult for the thief; where possible remove any climbing aids.
  2. Make it difficult for the thief; metals can be heavy so make them walk a distance by securing gates when possible, and keep wheel barrows and wheelie bins locked away.
  3. Make it difficult for the thief; keep sheds and outbuildings secure with good locks (see www.soldsecure.com ), it adds insult to injury if they have used your tools and ladders.
  4. Maximise surveillance by sympathetically cutting back shrubs and trees where possible.
  5. Cultivate the neighbours to watch over your property and report any suspicious activity whilst it is happening, crime being committed 999, after the event 101.
  6. External lighting for security? If someone will see what is being lit up or notice the lights have come on if PIR activated light it, if not the only person to benefit from lighting is the thief.
  7. Illusion of occupancy – a light and radio left on inside ect.
  8. Consider using a forensic marker suitable for roofs (see www.securedbydesign.com ), and if you have it ensure that you have clear signage at possible climb points like downpipes and at your perimeter.
  9. Consider a roof top alarm and possibly CCTV (see www.nsi.org.uk or www.ssaib.org ); again if you have security flaunt it, ensure you have clear signage displayed.
  10. Consider planting prickly shrubs at possible climb points and to reinforce boundaries to deter the thief.
  11. Consider the use of anti-climb paints, but remember not below 2m and signage must be displayed.

Further useful advice can be found on the internet including these webpages:

https://content.historicengland.org.uk/images-books/publications/theft-metal-church-buildings/theft-metal-church-buildings.pdf/

http://thecrimepreventionwebsite.com/other-crime-prevention/728/metal-theft/

If you know who is committing crime contact the Police using the 101 non-emergency number or call Crimestoppers anonymously on 0800 555 111

 

For more information on local heritage crime, read this previous post about the Essex Heritage Watch

Periscope and the Paraloid Sandwich: Upcoming Demonstration and How To Access It

(@EssexMDO)photorealistic_logo

One of the most common techniques for writing an identifying number on a museum object is a technique known as the “Paraloid Sandwich”. It involves writing the number between two layers of a chemical varnish.

 

Emma Cook, Museum Development Officer for Bedfordshire, and I have become aware that while YouTube is populated with numerous videos demonstrating methods for labelling objects for which the Sandwich isn’t appropriate (e.g. costume collections), this technique isn’t covered.

 

However, rather than just create a video, we thought we’d experiment with the streaming app called Periscope. Periscope you to broadcast video live and people following you on the app or who have clicked a link on Twitter can watch and even send in questions. The video then stays on Periscope for 24 hours. However, we will also then be able to upload it to YouTube, where it will be available for anyone to watch.

 

Therefore I am very happy to announce that Emma and I will be live-streaming a Paraloid Sandwich demonstration on Wednesday 25th May. We will repeat it 4 times, so you can log in, watch demonstrations and ask questions at 12:00, 12:30, 13:00 and 13:30 (British Summer Time).

 

So, how can you view our demonstration and ask questions?

 

  1. Download the free Periscope app to your mobile or tablet and set up an account
  2. “Follow” me (EssexMDO)
  3. Have the app or tablet connected to the internet between 12pm and 2pm on Wednesday 25th May

Additionally, a link will post on my Twitter account (@EssexMDO) every time we go live. You can click that link to watch along if you have Google Chrome as your web browser (Internet Explorer doesn’t work).

 

If you want to watch, but can’t get online at that time, it will be available to watch for 24 hours via the Periscope app.

If you do not have access to the app, we will then be making the video available as soon as possible via the SHARE Museums East YouTube account. Links to the film will be posted on this site and others.